A three-day workshop and round tables signed by ASSITEJ Italia
and dedicated to its members.
ARTISTIC LABORATORY by Pino Basile
Musical workshop on the use of the Indian rhythm system: “rhythm grammar”
The carnatic system (originating in southern India, where the development of rhythmic language is among the oldest and most evolved in the world) is an important rhythmic and timbral didactic support for any musician and not only. Particular importance is given to the dimension of ensemble music with a rhythmical and polyrhythmic perspective typical of the ensembles of South India. Very useful the carnatic system also for dancers, acrobats, actors, jugglers and more. Having at your fingertips a scientific and practical method of managing time and rhythm that does not depend on the classical methods of theory and solfeggio, often favors creative processes that by ‘non-musicians’ is sometimes very difficult to achieve.
ARTISTIC INCURSIONS by Maristella Martella
Musical workshop on dance between tradition and modernity.
Within the rich program of Informa, Maristella Martella will offer a space and a time dedicated to the psychophysical well-being of the group, through artistic practices aimed at relaxation and fun.
FUNDRAISING by Vincenzo Bellini
People donate not to an organization but to a good cause. The project we intend to support, its aims, its strategies and its activities are the object of fundraising. The values, approaches and culture that accompany the organization in conceiving and proposing the realization of a project also play a central role. These are the guidelines of the intervention proposed by Vincenzo Bellini.
FIRA VS FESTIVAL by Mike Ribalta and Roberto Frabetti
FIRA VS FESTIVAL two models compared. Mike Ribalta from the Festival Tarrega (director of the professional department and responsible of the performing arts market) and Roberto Frabetti (Small Size project manager, Festival Visioni di futuro Visioni di teatro) will talk about the differences and similarities starting from the model adopted by the Festival.
THE RIGHTS OF THE ARTIST WORKER by Carlotta Viscovo
The intervention curated by Carlotta Viscovo, actress and national coordinator of the Slc-Cgil actors’ sections, aims to provide an in-depth analysis on the new CCNL and on the negotiation between the parties. What are the strengths and weaknesses of the new CCLN?
THE SYSTEM OF LIVE SHOW by a substitute of L. Argano and with G. Balestra
In light of the changes in the live show system such as the Law of 22 November 2017 n. 175 Provisions on entertainment and delegations to the Government for the reorganization of the subject and the Ministerial Decree 27/07/17, the intervention by Lucio Argano wants to investigate the changes taking place in the Italian creative and cultural enterprise
HOW WE WATCH A SHOW – The basic principles of Vision by Simona Gonella
The intervention curated by Simona Gonella intends to investigate the basic principles of vision, to answer the question “how do we look at a show?” The aim of the proposed round table is to create a shared space for reflection and a comparison that starts from the importance of the gaze.
THE FUNCTION OF CIRCUITS IN THE YOUNG THEATER by Lucia Vinzi
A table of work that wants to deepen concretely and inspired by the experience of 30 years of ERT FVG – Theatre and School – the functions that the circuits have, could – or should – have in the construction of the relationship between childhood and performing arts live.
Is the circuit an expression of a territory? Is this a necessary space for the market? Is it a cultural and social resource of people, even children? Is it a cultural agency, an educational institution, an organizational structure, an administrative structure, an artistic body?
Every definition carries with it a philosophy and a logic; and every philosophy and every logic conditions the actions, the partnerships, the presences and the absences of the circuits between art and childhood.
CONNECTION: theater and young generations by Michele Panella
Michele Panella in collaboration with the National Theater of London has given life to the “Connections” project of contemporary dramaturgy for teenagers.
Every year the National Theater commission ten new performances to young actors, bringing together some of the UK’s most interesting writers with tomorrow’s theater producers. How, in Italy, can we bring teenagers back to the theater? Which strategies and models can be replicable in our country?
INTERNATIONAL PROJECTS BETWEEN LOCAL AND GLOCAL by Chris Torch
In addition to the design of large-scale projects, Torch plays a role in the development of intercultural policies in Sweden and throughout Europe. He is part of the Board of Culture Action Europe, the most influential platform for the development of cultural policy. Now he is Artistic Advisor for Timisoara2021. His speech will focus on a discussion of European design between local and global for the new generations.
SCHOOL AND THEATER by MIUR (Ministry of Education, University and Research)
We will try to examine the collaboration between MIBACT and MIUR in relation to art. 2 paragraph 4 i, which provides for the allocation of 3% of the FUS “for the promotion of education programs in the sectors”. Given the lack of precise indications on how to manage these programs, it is believed that it will be useful to relate institutions and operators in order to achieve greater clarity of needs and opportunities in the world of school and theater.
NEW CRITICISM FOR NEW GENERATIONS by Progetto Planetarium
Planetarium is a critical observatory on the theater and the new generations born in 2017 thanks to an invitation by the Theater festivals between the generations (Castelfiorentino), Segnali (Milan) and Maggio at the infancy (Bari). Initially coordinated by Altre Velocità, it is a network project together with the editors of Theater and Criticism, Il Tamburo di Kattrin and Stratagemmi – Prospettive Teatrali, reality with educational paths to the eye and training of the public with the younger generations. The intervention includes a participatory discussion on the function of criticism for the new generations.
BUILDIN’UP to imagine and build together the journey towards Assitej In-Forma 2019
A moment of confrontation extended towards the definition of the incubation methods and realization of the next edition of the most important event of Assitei Italia. The focus intends to develop and deepen the reflections matured in Assitej from the last Assitej In-Forma.