Each three years cycle of ASSITEJ is structured around a Dramaturgy. The Executive Committee have been exploring the many elements that pull together and need consideration to build this narrative. There have been rich conversations about experiences of the last cycle and what is needed as we continue to grow through our varied experiences of the pandemic.
ASSITEJ estructura cada ciclo de tres años alrededor de una dramaturgia. El Comité Ejecutivo ha estado explorando los muchos elementos…
REGENERACIÓN: Después del incendio, el sotobosque y los árboles vuelven a crecer de forma diferente. Sus formas han cambiado. Los…
International fair cooperation, sustainability goals and what all this has to do with equity. The past year exposed the instability of artists globally, and as time went by, we observed that some countries created tools and disposed resources to help TYA artists who were forbidden or denied work for over a year. This was urgent and we can only be grateful for that. It is important though, not to lose from our sight the dramatic condition of artists in the Global South, and the emergency situation they are exposed to.
Cooperación internacional equitativa, objetivos de sustentabilidad y lo que todo esto tiene que ver con la equidad. El año pasado…
In May, at the Tokyo Congress, a stage closes for me. After 6 years, I will no longer be part of the Executive Committee. I think about this fact and inevitably a kind of balance is imposed on me.
En mayo, en el congreso de Tokio, para mí se cierra una etapa. Después de 6 años dejaré de formar…
The 20th ASSITEJ World Congress and International Festival scheduled for May 2020 in Tokyo, Japan is fast approaching with the theme BEGINNING THE JOURNEY. For me, beginning a journey does not always imply starting a fresh movement. It can imply that the journey had been on, but a need arose that necessitated a pause. This ‘pause’, calls for reflection and stock-taking that requires putting all aspects of the journey in proper perspective and coming up with ways to navigate through perceived and real obstacles.
El 20º Congreso Mundial y Festival Internacional de ASSITEJ programado para Mayo del 2020 en Tokio, Japón, se acerca rápidamente…
Lately, in the ASSITEJ Executive Committee we have been having open meetings, and we have had a fundraising working group based on an open call. At these open meetings we have experienced a fantastic participation from several people from the ASSITEJ community, who with commitment and curiosity have brought to the table offers of help with concrete, practical work and new ideas.
Últimamente, en el Comité Ejecutivo de ASSITEJ hemos mantenido reuniones abiertas, y hemos tenido un grupo de trabajo de recaudación…
⏰ Fecha límite: 21 de noviembre de 2019 El 20º Congreso y Festival Mundial de ASSITEJ será en Japón del…
⏰ Fecha límite: 7 de octubre 2019 🌏 Tokio, JPN 🗓 14 – 24 de mayo 2020 Festival MIRAI 2020…
It is August, and the biggest event of our ASSITEJ community this year is just around the corner: ASSITEJ Artistic Gathering 2019. From the 2nd till the 7th of September, performers, directors, writers, dramaturgs, theatre pedagogues, producers, researchers, scenographers, musicians, dancers, video artists, programmers and artistic directors from all over the world will come together in Kristiansand and explore what is happening in the field of theatre for a young audience right now.
Es agosto, y el evento más grande de nuestra comunidad ASSITEJ este año está a la vuelta de la esquina:…
Recently I had the chance to watch a film and a performance, and these both impressed me very much. They provided me with a lot of food for thought on the role of the arts and life as an artist. These works are not actually related to TYA, though I think they tell me a lot about TYA indirectly, because they are all about terrible situations in which the disadvantaged, such as children, are firstly influenced and then abused.
Recientemente tuve la oportunidad de ver una película y una actuación, y ambas me impresionaron mucho. Me proporcionaron gran cantidad…
