Contact us
  • English
  • Français
  • Español
  • Português
logo
ASSITEJ - International Association of Theatre for Children and Young People
  • Inicio
  • ASSITEJ en el mundo
    • ASSITEJ en el mundo
    • Miembros de ASSITEJ
    • Festivales
    • Día Mundial del Teatro para Niños y Jóvenes
      • Logotipos del Día Mundial 2019
      • Vídeo del Día Mundial 2019
      • Mensajes del día Mundial por Joyee y Jojo
      • Mensaje de Yvette Hardie
    • Semana Mundial de las Artes Escénicas
    • Revista ASSITEJ
    • Únete a ASSITEJ
  • Redes en ASSITEJ
    • Redes en breve
    • Formación: Next Generation
      • Residencias
      • Past Experiences
      • Pasantías
      • Pasantías
        • Ofertas actuales
        • Ofrece una pasantía
      • Ofertas Pasadas
    • Investigación: ITYARN
    • Primeros años: Small Size
    • Dramaturgia: Write Local, Play Global
    • Inclusión: International Inclusivity Arts Network
  • Nosotros
    • Comité Ejecutivo
      • Minutas
      • Plan de trabajo 2017 – 2020
      • Folleto Promocional ASSITEJ
    • Miembros Honorarios
    • Constitución
    • Política de Membresia y Protocolos
    • Asamblea General
      • Voting Results – General Assembly
      • 2017 Minutas Asamblea General Ciudad del Cabo
    • Talleres Regionales
      • Cameroon
      • Uruguay
    • Premios
      • Premio ASSITEJ a la Excelencia Artística
      • Premio ASSITEJ Aplauso a la Trayectoria
      • Premio ASSITEJ a Dramaturgos Inspiradores
    • Cronología ASSITEJ Artistic Gatherings
    • Cronología de los Encuentros Artísticos ASSITEJ
      • AAG15 50th Aniversario
        • Assitej en los siguientes 50 años, por Y. Hardie
        • De dónde venimos. 50 años de ASSITEJ por W Schneider
        • La Pelicula
        • Album de fotos
      • Encuentro Artístico ASSITEJ 2016
        • Final Evaluation
        • Materials from On The Edge
        • ASSITEJ Artistic Gathering 2016, ON THE EDGE. Photo Album
        • Página web
        • ON THE EDGE Trailer
        • Birmingham 2016 Bid Video
      • Encuentro Artístico 2018
        • Registration for ASSITEJ Artistic Gathering 2018
        • Página web
  • Apoya a ASSITEJ
    • Donativos
    • Amigos de ASSITEJ
    • Next Generation Cape Town 2017
  • Encuentro Artístico 2019
  • Julia Dina Heße, the Executive Committee
    Julia Dina Heße, the Executive Committee

    Búsqueda:Movimientos en Helsingborg

    Being no fan of the term “development“ and also slightly irritated by the idea of “leaving someone behind“ (as it gives the impression that there is one correct path into some correct direction towards some correct big goal), I enjoyed joining those sessions and shows in Helsingborg that made it clear that this isn’t their nor our concept of Assitej at all.

    Cuando la Bienal de Bibu y ASSITEJ Suecia presentaron su propuesta para convertirse en los anfitriones de un Encuentro Artístico…

  • Yannick Boudeau, Executive Committee of ASSITEJ
    Yannick Boudeau,  Executive Committee of ASSITEJ

    Cómo fui revitalizado

    Theatre has always been for me more than an artistic experience. It is also a social and cultural act, a moment of sharing, a moment full of magic and emotions.
    In mid-August I had the pleasure of attending the preview of a show for 13+. There were 25 teenagers in the room and some adults.
    Because of COVID, I hadn't been to a show for this age group for a long time. So I was delighted to be there. I had been told that the theme was heavy. Indeed, the show talks about family and the unspoken, about death, about words that liberate. There are also many other things in it.

    El teatro siempre ha sido para mí más que una experiencia artística. También es un acto social y cultural, un…

  • Jon Dafydd–Kidd
    Member of the Executive Committee of ASSITEJ
    Jon Dafydd–Kidd

    ¿Cuáles son nuestros superpoderes?

    Each three years cycle of ASSITEJ is structured around a Dramaturgy. The Executive Committee have been exploring the many elements that pull together and need consideration to build this narrative. There have been rich conversations about experiences of the last cycle and what is needed as we continue to grow through our varied experiences of the pandemic.

    ASSITEJ estructura cada ciclo de tres años alrededor de una dramaturgia. El Comité Ejecutivo ha estado explorando los muchos elementos…

  • Lalu Mokuku, Executive Committee
    Lalu Mokuku, Executive Committee

    DESAFIANDO LOS TRUCOS DE PHOKOJWE, EL QUE RÍE ÚLTIMO…

    As artists we need to provide images to counter the images of violence that we see in our streets or in the media. Let’s listen to the voices of children.
    From South Africa, Ntalo-khanyisa Lerato Motsieloa Silindane (5) shares that “hands are for hugging, not for pushing, not for beating, not for punching or pushing or smacking”.

    Phokojwe (el Zorro) una vez amenazó a Leeba (la Paloma) con comerse a sus hijos si no se los entregaba….

  • Bebê de Soares
    Vice President
    Bebê de Soares

    ES TIEMPO DE SOLIDARIDAD

    International fair cooperation, sustainability goals and what all this has to do with equity.

    The past year exposed the instability of artists globally, and as time went by, we observed that some countries created tools and disposed resources to help TYA artists who were forbidden or denied work for over a year. This was urgent and we can only be grateful for that. It is important though, not to lose from our sight the dramatic condition of artists in the Global South, and the emergency situation they are exposed to.

    Cooperación internacional equitativa, objetivos de sustentabilidad y lo que todo esto tiene que ver con la equidad. El año pasado…

  • Emilie Robert, Executive Committee
    Emilie Robert, Executive Committee

    Una incipiente excitación

    An incipient excitement can be felt in many theatres, cinemas and museums in France these days: the third lockdown is over now and from the 19th, the audience will be able to return. The capacities in the venues and all kind of rooms will be very limited (35% of the usual ones) and the COVID rules will be heavy, but arts and culture are fully back at last!
    Meanwhile, in some parts of the world, artists are still deeply in the COVID crisis, as in India or in South America.

    Una incipiente excitación se respira estos días en muchos teatros, cines y museos de Francia: el tercer cierre ha concluido…

  • François Fogel
    Vice-president of ASSITEJ
    François Fogel

    Kintsugi

    Kintsugi is the Japanese art of fixing broken pottery by filling the breaks with a blend of laquer and gold. Silver and platinum can also be used. Beyond the gesture, which requires great mastery, this technique engages the imagination of the craftsman, his sense of life. Thanks to it, the history of the object acquires a new meaning, it becomes more unique, more precious. For this reason, Kinstugi is often used as a metaphor of resilience.

    El Kintsugi es el arte japonés de arreglar la cerámica rota rellenando las roturas con una mezcla de laca y…

  • Sue Giles (Australia)
    Vice President of ASSITEJ
    Sue Giles (Australia)

    ¿Cómo elegimos cambiar?

    ASSITEJ believes that much more needs to be done to meet all countries’ obligations with respect to Articles 13 and 31 of the UN Convention on the Rights of the Child. This is especially true in the light of the current pandemic, and the urgent need for equal opportunities for every child to live in a sustainable and healthy world. Children and young people have a right to access and participate in the arts, even and especially in times of crisis.

    ASSITEJ cree que es necesario hacer mucho más para cumplir con las obligaciones de todos los países con respecto a…

  • Pamela Udoka
    Pamela Udoka

    Artes y salud mental… Las vidas negras importan (#blacklivesmatter)

    July every year since 2008 has been designated as Black Indigenous People of Color (BIPOC) Mental Health Awareness Month. ASSITEJ International should lend its voice to this awareness creation. In tandem with the buzz around the world “Black Lives Matter”, it is instructive that the American Psychiatric Association holds the informed view that only one in three African Americans who need mental health care are able to get it.

    Todos los años, desde 2008, Julio ha sido designado como el mes de la Conciencia de la Salud Mental de…

  • Kenjiro Otani, Executive Committee
    Kenjiro Otani, Executive Committee

    Anhelando tiempo y espacio para poner las ideas en práctica

    Usually when I put a pen in my hand, it runs and dances on the piece of paper as if to catch up with a dream envisioned in the head. But these days, as soon as I sit at my desk and put the pen in my hand, it starts moving awkwardly and instead of writing sentences with thoughts, it sketches words so randomly as if one word calls for another, and then I realize, I’m looking out the window searching for spaces for thoughts and ideas.

    Normalmente cuando pongo un bolígrafo en mi mano, corre y baila sobre el papel como para alcanzar un sueño imaginado…

1234

Search

Network Project Announcement

ASSITEJ Magazine

Boletin

Subscribe to our newsletter!

ASSITEJ Manifesto


Children have the right to access and participate in the arts!

World Day Messages 2020

Read the President's message!
Read Jojo and Joyee's messages!

World Performance Week

ASSITEJ proposes a collaboration between international associations involved with different art forms related to live performance, which celebrate their World Days between March 20th and March 27th.

Read More

Suscríbete a nuestro boletín!

Subscribe

Unsubscribe

LINKS

UNIMA
IDEA International
ITI - International Theater Institute
IATC - International Association of Theatre Critics
IUTA - International University Theatre Association
Theatre Without Borders
OISTAT - International Organisation of Scenographers, Theatre Architects and Technicians
IATA - International Amateur Theatre Association
SIBMAS - International Association of Libraries, Museums, Archives and Documentation Centres of the Performing Arts

ASSITEJ International Secretary General, Nørregade 26, 1. floor / 1165 Copenhagen, Denmark
                     
Co-funded by the European Union and the Danish Arts Foundation. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the Danish Arts Foundation. Neither the European Union nor the Danish Arts Foundation can be held responsible for them.