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ASSITEJ - International Association of Theatre for Children and Young People
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  • Seok-hong Kim, Executive Committee
    Seok-hong Kim, Executive Committee

    Résolution pour la nouvelle année

    There may be a lot of artists and practitioners all over the world who are full of eagerness for TYA, but are invisible on an international level.

    A la mi-novembre 2022, nous (le Comité Exécutif d’ASSITEJ) nous sommes rendus en Jordanie, pays hôte de notre réunion du…

  • Ernie Nolan, Executive Committee
    Ernie Nolan, Executive Committee

    Complétez la phrase… et célébrez !

    Au début de ma carrière dans le théâtre jeune public, j’ai entendu un jour un directeur artistique chevronné s’adresser à…

  • Bebê de Soares, Executive Committee
    Bebê de Soares, Executive Committee

    Le futur des collaborations internationales est ici

    The greater good in international networking is literally to create platforms in order to share information.

    Après ce qui a semblé toute une vie au loin, 2022 a sonné le retour en force des retrouvailles en…

  • Minoovash Rahimian, Executive Committee
    Minoovash Rahimian, Executive Committee

    Que se passe-t-il en Iran ?

    I am an artist, as an artist (actor) it is more difficult to be a woman in Iran. We are not allowed to sing and dance on stage, we have to wear hijab on stage, even if our co-star is male, we cannot touch. We can't wear tight clothes, a male makeup artist is not allowed to put makeup on our faces, and we can't wear wigs. We should not move our body too much.

    En tant que femme iranienne, j’ai toujours été attaquée par les hommes (au travers du patriarcat), et ce avec le…

  • Julia Dina Heße, the Executive Committee
    Julia Dina Heße, the Executive Committee

    La Recherche en mouvement à Helsingborg

    Being no fan of the term “development“ and also slightly irritated by the idea of “leaving someone behind“ (as it gives the impression that there is one correct path into some correct direction towards some correct big goal), I enjoyed joining those sessions and shows in Helsingborg that made it clear that this isn’t their nor our concept of Assitej at all.

    Quand Bibu Biennial et ASSITEJ Suède ont présenté leur candidature pour accueillir un Assitej Artistic Gathering, ils ont fait un…

  • Yannick Boudeau, Executive Committee of ASSITEJ
    Yannick Boudeau,  Executive Committee of ASSITEJ

    Régénérescence

    Theatre has always been for me more than an artistic experience. It is also a social and cultural act, a moment of sharing, a moment full of magic and emotions.
    In mid-August I had the pleasure of attending the preview of a show for 13+. There were 25 teenagers in the room and some adults.
    Because of COVID, I hadn't been to a show for this age group for a long time. So I was delighted to be there. I had been told that the theme was heavy. Indeed, the show talks about family and the unspoken, about death, about words that liberate. There are also many other things in it.

    Le théâtre a toujours été, pour moi, plus qu’une expérience artistique. C’est aussi un acte social, culturel, un moment de…

  • Jon Dafydd–Kidd
    Member of the Executive Committee of ASSITEJ
    Jon Dafydd–Kidd

    Quels sont nos superpouvoirs?

    Each three years cycle of ASSITEJ is structured around a Dramaturgy. The Executive Committee have been exploring the many elements that pull together and need consideration to build this narrative. There have been rich conversations about experiences of the last cycle and what is needed as we continue to grow through our varied experiences of the pandemic.

    Chaque cycle de trois ans de l’ASSITEJ est structuré autour d’une Dramaturgie. Le Comité exécutif a exploré les nombreux éléments…

  • Lalu Mokuku, Executive Committee
    Lalu Mokuku, Executive Committee

    DÉFIER LES ASTUCES DE PHOKOJWE, AVOIR LE DERNIER MOT

    As artists we need to provide images to counter the images of violence that we see in our streets or in the media. Let’s listen to the voices of children.
    From South Africa, Ntalo-khanyisa Lerato Motsieloa Silindane (5) shares that “hands are for hugging, not for pushing, not for beating, not for punching or pushing or smacking”.

    Il était une fois Phokojwe (le renard). Il menaça Leeba (la colombe) de manger ses enfants si elle ne les…

  • Emilie Robert, Executive Committee
    Emilie Robert, Executive Committee

    Une Légère Excitation

    An incipient excitement can be felt in many theatres, cinemas and museums in France these days: the third lockdown is over now and from the 19th, the audience will be able to return. The capacities in the venues and all kind of rooms will be very limited (35% of the usual ones) and the COVID rules will be heavy, but arts and culture are fully back at last!
    Meanwhile, in some parts of the world, artists are still deeply in the COVID crisis, as in India or in South America.

    Ces jours-ci en France, une légère excitation est perceptible dans les théâtres, les cinémas et les musées : le troisième confinement…

  • François Fogel
    Vice-president of ASSITEJ
    François Fogel

    Kintsugi

    Kintsugi is the Japanese art of fixing broken pottery by filling the breaks with a blend of laquer and gold. Silver and platinum can also be used. Beyond the gesture, which requires great mastery, this technique engages the imagination of the craftsman, his sense of life. Thanks to it, the history of the object acquires a new meaning, it becomes more unique, more precious. For this reason, Kinstugi is often used as a metaphor of resilience.

    Le Kintsugi est l’art japonais de réparer les poteries cassées en remplissant les failles avec un mélange de laque et…

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Network Project Announcement

ASSITEJ Magazine

Lettre d’information

Inscrivez-vous à notre lettre d'information

ASSITEJ Manifesto


Children have the right to access and participate in the arts!

World Day Messages 2020

Read the President's message!
Read Jojo and Joyee's messages!

World Performance Week

ASSITEJ proposes a collaboration between international associations involved with different art forms related to live performance, which celebrate their World Days between March 20th and March 27th.

Read More

LINKS

UNIMA
IDEA International
ITI - International Theater Institute
IATC - International Association of Theatre Critics
IUTA - International University Theatre Association
Theatre Without Borders
OISTAT - International Organisation of Scenographers, Theatre Architects and Technicians
IATA - International Amateur Theatre Association
SIBMAS - International Association of Libraries, Museums, Archives and Documentation Centres of the Performing Arts

ASSITEJ International Secretary General, Nørregade 26, 1. floor / 1165 Copenhagen, Denmark
                     
Co-funded by the European Union and the Danish Arts Foundation. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the Danish Arts Foundation. Neither the European Union nor the Danish Arts Foundation can be held responsible for them.